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Atonement: A Novel, by Ian McEwan
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National Bestseller
Ian McEwan’s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.
On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. But Briony’ s incomplete grasp of adult motives–together with her precocious literary gifts–brings about a crime that will change all their lives. As it follows that crime’s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
- Sales Rank: #4160 in Books
- Brand: Anchor
- Published on: 2003-02-25
- Released on: 2003-02-25
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.20" l, .62 pounds
- Binding: Paperback
- 351 pages
- Great product!
Amazon.com Review
Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.
We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar; and upstairs, Briony's migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....
The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.uk
From Publishers Weekly
This haunting novel, which just failed to win the Booker this year, is at once McEwan at his most closely observed and psychologically penetrating, and his most sweeping and expansive. It is in effect two, or even three, books in one, all masterfully crafted. The first part ushers us into a domestic crisis that becomes a crime story centered around an event that changes the lives of half a dozen people in an upper-middle-class country home on a hot English summer's day in 1935. Young Briony Tallis, a hyperimaginative 13-year-old who sees her older sister, Cecilia, mysteriously involved with their neighbor Robbie Turner, a fellow Cambridge student subsidized by the Tallis family, points a finger at Robbie when her young cousin is assaulted in the grounds that night; on her testimony alone, Robbie is jailed. The second part of the book moves forward five years to focus on Robbie, now freed and part of the British Army that was cornered and eventually evacuated by a fleet of small boats at Dunkirk during the early days of WWII. This is an astonishingly imagined fresco that bares the full anguish of what Britain in later years came to see as a kind of victory. In the third part, Briony becomes a nurse amid wonderfully observed scenes of London as the nation mobilizes. No, she doesn't have Robbie as a patient, but she begins to come to terms with what she has done and offers to make amends to him and Cecilia, now together as lovers. In an ironic epilogue that is yet another coup de the tre, McEwan offers Briony as an elderly novelist today, revisiting her past in fact and fancy and contributing a moving windup to the sustained flight of a deeply novelistic imagination. With each book McEwan ranges wider, and his powers have never been more fully in evidence than here. Author tour. (Mar. 19)Forecast: McEwan's work has been building a strong literary readership, and the brilliantly evoked prewar and wartime scenes here should extend that; expect strong results from handselling to the faithful. The cover photo of a stately English home nicely establishes the novel's atmosphere
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-Set during the seemingly idyllic summer of 1935 at the country estate of the Tallis family, the first section of this thought-provoking novel ambles through one scorchingly hot day that changes the lives of almost everyone present. The catalyst is overly imaginative 13-year-old Briony, who accuses Robbie, her sister's childhood friend and their housemaid's son, of raping her cousin Lola. The young man is sent to prison and Cecilia, heartbroken, abandons her family and becomes a nursing sister in London. In the second part, McEwan vividly describes another single day, this time Robbie's experiences during the ignominious British retreat to Dunkirk early in World War II. Finally, readers meet Briony again, now a nursing student. She is aware that she might have been wrong that day five years earlier and begins to seek atonement, having clearly ruined two lives. In a story within a story, McEwan brilliantly engages readers in a tour de force of what ifs and might have beens until they begin to wonder what actually happened. The story is compelling, the characters well drawn and engaging, and the outcome is almost always in doubt. The descriptions of the retreat and the subsequent hospitalization of the soldiers are grim and realistic. Readers are spared little, yet the journey is worth the observed pain and distress. Well-read teens will find much to think about in this novel.
Susan H. Woodcock, Chantilly Regional Library, VA
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
10 of 10 people found the following review helpful.
More torment than atonement
By I.
This was one of those novels I found brilliantly written, but incredibly boring.
I had, probably, expectations way to high, so I was very disappointed with the book. It drags for an insufferable amount of time and when it comes to the big revelation it amounted to nothing. It works better in the movie, but even then, it had no impact in me.
There are, of course, things that I liked and left me torn regarding the rating I would give this book. I loved the use that Ian McEwan makes of language. The way he masters long sentences, which is not very common in English language. I liked the idea of the different views of the same fact by the different characters and the way that propels the narrative, but I also thought that, in general, the book ended up being quite boring and excessively descriptive.
4 of 4 people found the following review helpful.
There is no spoon
By Moisio
Atonement reminded me so much of The French Lieutenant's Woman, in terms of the games that the author and the narrator play with the reader, that I had to do a bit of internet research. Apparently, both books can be read as historiographic metafiction, which is a term coined by critic Linda Hutcheon. The first word in the phrase refers to the imposition of the present on history and the second refers to self-reflexive narrative techniques that call into question all "facts," even those living only within the confines of the books' plots. Put them together and you get novels in which the author, the narrator and other characters may be conspiring to undermine the "facts" of history, as well as those of the story itself.
Needless to say, then, that Atonement is supremely concerned with the role of the author. The reader is led to believe early on that thirteen year old Briony Tallis is a self-conscious and compulsive writer. But her role in the unfolding events develops as the line separating reality from her fertile imagination becomes blurred.
The story (or the "plot"), even if we take it at face value, is compelling enough in its tragedy. But the real merit of the book becomes apparent as the veils fall. It is difficult to say much more without spoiling things. But, after reading this review, anyone familiar with Fowles' novel will be watching for the judgements the reader is ultimately asked to make.
3 of 3 people found the following review helpful.
A masterpiece
By Tom
I was completely absorbed by this book. The first part draws you into a confined setting, a very hot day in a country house and the preparations for welcoming the son of the house who is about to arrive with a friend. It lets you see the scene from the perspectives of the different characters in the house. Although McEwan focuses more on the internal lives of the characters than on external events, and devotes most of the attention to their impressions and reflections on what takes place around them, you feel the tension building steadily towards what certainly must become a disaster. The second part describes the dire consequences of these events, which grow out of the lively imagination of a young girl who half sees and half imagines what is happening in the house and tries, with good intentions, to put things right. McEwan ties everything together beautifully and elegantly in the last part where the young girl has grown old and has spent all the intervening years trying to reconcile herself with what she did as a child. I don't want to spoil anyone's reading experience by giving details. The book was rather different from what I had expected based on the descriptions, but it is certainly one of the better books that I have read. It is warmly recommended.
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